Bruce Bennett
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Cinema & Film
Metal brains and melancholia: Jean Epstein’s The Fall of the House of Usher
November 2, 2025
Cinema & Film
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Music
Community music
October 25, 2025
Uncategorized
Shock and Awe and Eisenstein
December 4, 2024
Cinema & Film
The lost worlds of silent cinema.
June 9, 2024
Photography
,
Writing
Shooting birds
March 14, 2024
Cinema & Film
Magic cameras and maniacs: Michael Powell’s ‘Peeping Tom’
February 4, 2024
Cinema & Film
Full Metal Jackoff and the naming of parts: Kubrick, process and pedagogy.
November 4, 2023
Cinema & Film
The world’s first micro-film festival
October 11, 2023
Cinema & Film
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Photography
Writing on the walls, tearing down the walls: refugee art and transformation
July 31, 2023
Cinema & Film
Interview with director Harry MacQueen
July 14, 2023
Cinema & Film
Man(n)ly films: ‘Heat’, masculinity and control
March 22, 2023
Cinema & Film
Cinemagoing in Lancaster in the 1920s
March 7, 2023
Cinema & Film
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Photography
Pictures of Passion and Pain: Fassbinder and Ozon
February 9, 2023
Cinema & Film
Boats, bicycles and histories of violence.
November 15, 2022
Cinema & Film
Fugitive aesthetics and refugee cinema
November 4, 2022
Cinema & Film
Studies in film
May 16, 2022
Cinema & Film
Repetition and difference: Three faces of Chaplin
March 19, 2022
Music
Music of the year and the last record.
December 22, 2020
Cinema & Film
Andrew Kötting: the dirty work of making films
January 30, 2020
Cinema & Film
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Music
The book of the film
May 24, 2019
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